My Ridiculous May: a literary salon, a Twitter chat, the Leeds Book Award and the Hay Festival

By Candy Gourlay

Since leaving Facebook, I've been trying to figure out how to neatly keep a record of my author activities. Twitter's ever scrolling feed made it hard to keep a record until I discovered 'Moments' which allows you to order and compile the explosion of  tweets after every event.

To help me keep track of my ridiculously packed life, I'm hoping to document things on my author blog. So here are some Moments from my ridiculously busy May: The WordsAway Literary Salon, The Leeds Book Award 2019, the Hay Festival and #UKMGChat.

And yes, May isn't over yet. I am currently sitting in a hotel room in LA (I hopped on a plane as soon as I got back from the Hay Festival) where I've been participating in a delicious new project. But more of that in another blog post. Here's a photo to keep you going!

Scroll away:


Grateful to Kellie Jackson who invited me to speak at the Words Away Literary Salon at the charming Teahouse Theatre Cafe (they serve no coffee), on a small stage above a dragon's claw. Grateful to pals from SCBWI who turned up for the discussion on writing for children. Kellie kindly summarised the event here.


Bone Talk was shortlisted for the 11 to 14 category of the Leeds Book Award 2019. The shortlist included The Book Case by Dave Shelton, Below Zero by Dan Smith, Child I by Steve Tasane, Mud by Emily Thomas, The Extinction Trials by SM Wilson. Steve Tasane won!


It's been nine years since I appeared on the Hay Festival's programme. Boy, it was fun to be in that famous Green Room again!


If you're an aspiring children's author, you really ought to check out #UKMGChat. Created by children's authors Lorraine Gregory and Miriam Craig, there is a weekly discussion of writing craft and  getting published focused around Middle Grade books. Lorraine and Miriam invite authors, agents, publishers to participate and many a golden nugget can be learned from the subsequent Twitter free for all. I was their featured author last week, it's a good Q&A – check it out!

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Jan Pieńkowski: Lifetime of Achievement

By Candy Gourlay

Jan Pieńkowski, enjoying tributes at the celebration of his Lifetime Achievement Award at the Garden Room of the Barbican in London. 

On Thursday, I was privileged to attend Booktrust's Lifetime Achievement Award Ceremony for Jan Pieńkowski, best-beloved illustrator in the UK of more than 140 books and a nightly presence during my (now grown) children's bedtime routines, way back when. It was a moving ceremony, not the least because Jan was diagnosed seven years ago with Alzheimer's –  despite which he has continued working, publishing a retelling of The Odyssey just two years ago. The retelling was authored by his partner of 57 years, David Walser, who spoke on Jan's behalf. David has also co-authored five new Meg and Mog stories (Penguin)  as well as The Glass Mountain (Walker), a collection of Polish tales.

'He has asked me to thank you (for the award),' David told a gathering that included the UK's top illustrators. 'Since being told about it, he has forgotten it many times so when I, or any friends in the know, remind him, it always comes as a lovely surprise. He has been able to enjoy the news many times over.'

Author David Walser, who has been Jan's partner for the past 57 years


'Each of our lives is an odyssey,' David said. 'But some are more adventurous than others. Knowing a little of Jan's life gives us an understanding of what is behind many of his pictures and his way of coping with violence, in the children's literature he has often illustrated.'

I was so moved by David's account of Jan Pieńkowski's story that I feel compelled to share some of it with the wider world here.

Jan was three years old, living in what is now the Republic of Belarus, when both Germany and the Soviet Union invaded Poland.

"The Pieńkowskis feared the Bolsheviks even more than the Germans, " David said, "so when the two enemies began to fire at each other the family piled into their horse-drawn carriage and set out for Warsaw, abandoning their home, their possessions and, hardest of all, their dogs."

A few years later Jan's grandmother in Warsaw, a leading gynaecologist who had supervised Jan's birth, was caught harbouring a Jewish medical colleague and a British pilot, whom she was nursing back to health. The Jewish doctor was shot on the spot, the pilot sent to a prisoner-of-war camp, and Jan's grandmother and her daughter who lived with her were sent to Auschwitz, where they died of typhoid. After the war, the pilot became a senior civil servant – and helped Jan to be given British citizenship.

“During the Warsaw Uprising of 1944 an eight-year-old Jan saw things that no child should ever witness. He spent time among wounded and dying. When a firebomb landed on the hospital across the road, Wanda covered Jan's head but could not shield his ears. Since then he has never been able to stand screaming or any loud noises.

When the war ended, the British government invited Polish soldiers and families to come to the UK if they preferred not to return to Communist Poland. On the ferry, Jan asked his mother if England was an island. 'Yes,' she replied. 'In that case,' he said. 'Let's never leave.'


Jan read classics at King's College Cambridge, where he made a name designing posters for clubs, societies and playhouses – which led to work designing for theatre and television as well as greeting cards. The TV work led to the idea for a book series starring Meg and Mog.

Jan told Alison Flood of the Guardian that the roots of Meg and Mog came from when a next door neighbour, in exchange for Jan drinking his milk, told him frightening Polish folk stories that inevitably included witches:

“She’d tell me these totally unsuitable stories, get to a cliffhanger – and stop,” he said. “I used to have terrible dreams, nightmares, of this witch, always chasing me and trying to put me in a pot, and you know how you can’t run in a dream, you sort of freeze? It was all like that. I think in a way she gave birth to Meg, because I think Meg was really sublimating, isn’t that the word? Taking this terrible monster from my childhood and making it into a harmless toy.”

According to the article, Jan used to meet his co-author Helen Nicoll at Membury motorway services, near Marlborough, to work in a fenced-off part of the dining area. "The images (are) so joyfully vibrant, that a restaurant in a service station on the M4 feels far too prosaic as their birthplace!"


Jan won his first Kate Greenaway Medal in 1971 for The Kingdom Under the Sea and Other Stories (Jonathan Cape), eleven fairy tales from Eastern Europe and Russia, retold by Joan Aiken.

His second Greenaway Medal was won for Haunted House (Heinemann, 1979), which librarians described as 'the house of petrifying pop-ups'.

I posted video excerpts on Twitter of the moving tributes to Jan by judges Nicolette Jones, Smriti Prasadam-Halls and SF Said – you can watch them in the tweet compilation I've embedded below. (If you can't see it, visit it here)

Jan's life story and achievement struck such a chord with me. How many children, like Jan, are currently fleeing war and strife in this troubled world of ours? How many are being given safety, a home, a chance for their potential to blossom? Perhaps Jan's award will open eyes and hearts, perhaps right now, there is another Jan Pieńkowski being given a chance to blossom and flourish because somebody heard this story.

With salutations and respect to Jan and David. And thanks to Booktrust for making this happen.

The teachers who made Jarrett J. Krosoczka an author

The Ted Talk led me to Jarrett's graphic novel autobiography, a National Book Award Finalist. Moving, sad, uplifting. Highly recommended reading, especially for older teens.

I just stumbled on this six-year-old Ted Talk by children's author Jarrett J. Krosoczka, telling the story of how he became an author.

I was so moved to see how Jarrett fills his talk with the names and photographs of teachers and other people who gave a boy like him a chance ... who,  throughout his childhood, nurtured the author in him.

I think all teachers, librarians and parents need to watch this video.

In a blog post I wrote back in 2017 – How to be the Old Man, the Crone, the Spirit Guide, the Mentor – I wrote about how we, wittingly and unwittingly, are nurturing the young people around us.

It's worth quoting that post again now:

We all have the power to light a spark in someone else.

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An Unnoticed Golden Age of Children's Books? Here are some books to discover

By Candy Gourlay

Ella on the Outside by Cath Howe, Orphan Monster Spy by Matt Killeen, The Wondrous Dinosaurium by John Condon, Night of the Party by Tracey Mathias

I was SO excited to see the shortlist for the Crystal Kite Award last week!

Every year, members of SCBWI (Society of Children's Book Writers and Illustrators) in the British Isles and Ireland vote for their choice children's books of the year – I had cast my vote only days before and I am pleased to say MY BOOK MADE IT! (Sorry, I'm not at a liberty to divulge which one of these it was)

But there were other things about the Crystal Kite list that made me even happier.

All these books are written by debut authors who deserve to be discovered by readers everywhere.

All these books are FANTASTIC READS. I know, I read them all ... in fact, at the risk of bragging, these were the books on my personal shortlist (as well as some others 😁).

Last week, author and children's book expert Dawn Finch declared on Radio 4: "This is really a golden age of children's literature and I've worked in children's books for 30 years and I've never seen books published of this quality – there are better books published now than have been for avery long time."

But, Dawn said, you wouldn't know that if you go into a supermarket.

'Publishing is a business and as a business they have to make money – so super massive advances paid out to celebrity authors means that publishers have to get that money back somehow. And the way this is being done is by a highly visible, aggressively marketed pool of authors that is actually very small. So when you go into places that sell books ... you actually only see a very tiny selection of books available ... it's drowning out some very fine authors and that choice is being taken away from children.'

Dawn pointed out that the closure of libraries, the shrinking amounts space devoted to children's books in the media, means that parents are struggling to identify and discover good books.

You can listen to the discussion on Front Row at about 19:06, also featuring editor and critic Imogen Russell Williams. I've also embedded my tweets about the programme at the very bottom of this post 

So in the name of helping parents and teachers discover some amazing new titles of this golden age, it is my pleasure to present the shiny shortlist of the Crystal Kite Award for the British Isles and Ireland – including photos from each debut author's book launch (yes, I attended them all). Winners will be announced by SCBWI in June.

Ella on the Outside by Cath Howe

Cath Howe has been writing plays for performance in schools for years which is perhaps why Ella on the Outside feels so perfectly pitched for middle grade, and enviably structured. The writing reminded me of Louis Sachar's Holes, so loaded with heart. It is about a girl with a camera and a terrible secret. She's the new girl in school and all the pressures lead to her making bad decision after bad decision and the reader wishes she could grab Ella's hand and lead her in another direction.  It is not easy to write so simply and yet so evocatively, and I sighed with envy at every well turned out chapter. I loved it. Cath's second book, Not My Fault, will soon be out and I can't wait to read it.

A fine new voice for Middle Grade: Cath Howe at the launch of Ella on the Outside at The Alligator's Mouth in Richmond.

Orphan Monster Spy by Matt Killeen

From the moment you begin reading Matt Killeen's masterful Orphan Monster Spy, you realise that this is a work of depth, of thought, of heart that will stay with you forever. The opening scene, where a mother is shot dead as she tries to drive through a checkpoint, is a warning of the harrowing events to come for Sarah, a Jewish girl who infiltrates a Nazi boarding school for her mysterious rescuer. This is a thriller, a character study and a historical novel wrapped in one, with fresh, many layered insights to offer to a much written about period. Orphan Monster Spy deserves the accolades that have showered its launch, which includes a shortlisting for the mighty Costa Award. Bloody fantastic, Matt.

Here is Matt Killeen at the launch of Orphan Monster Spy at Waterstones, Trafalgar Square.

The Wondrous Dinosaurium by John Condon

The lone picture book on the Crystal Kite shortlist is John Condon's The Wondrous Dinosaurium, with rollicking illustrations by Steve Brown. The story imagines the ultimate petshop – a dinosaurium with "EVERY ... DINOSAUR ... EVER". Like Doctor Who's tardis, it is small on the outside but humongous on the inside and our hero, Danny gets to pick his very own dinosaur pet ... with rather fun and chaotic consequences. I am delighted that a picture book has made it to a shortlist that has tended to favour chapter books, and I am even more delighted that the picture book happens to be John's!

John Condon at the launch of the Wondrous Dinosaurium at West End Lane Books in Northwest London.

Night of the Party by Tracey Mathias

Tracey Mathias conjured this dystopian young adult thriller – a divided society, racism, lies, populist politicians – long before Brexit and Trump became our ordinary. The clock ticks relentlessly, a looming election could spell doom or relief for Zara, who must conceal the fact she is not British Born in a Britain that has decided to discard people like her. Once started, this book is impossible to put down, even though it often feels like someone is running an icy finger down your spine. There is social commentary here, but nothing is black and white under Tracey's subtle and intelligent pen. The Night of the Party may make your heart stop once or twice, and it will definitely leave you pondering for some time to come. Perfectly pitched and with a powerful respect for its teen reader.

Tracey at the launch of The Night of the Party at Daunt Books, Cheapside.
Photos by Candy Gourlay

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Re-reading Tom Sawyer

Recently, I opened a blog post with this:
Growing up, books were my windows to other places, other people, and other ways of life. I travelled to the Swiss Alps with Heidi by Joanna Spyri, swam in the Mississippi with Tom Sawyer by Mark Twain, wandered in snowy Narnia with Lucy in The Lion, the Witch and the Wardrobe by C S Lewis, was lost in the Cave of Wonders with Aladdin ...
An acquaintance called me out, suggesting that I should not have mentioned The Adventures of Tom Sawyer, with its liberal use of the N word and its awful attitude towards Native Americans.

Tom Sawyer occupied 'favourite book' status for a long time in my childhood. It was one of the first novels I read, alongside HeidiLittle Women, and other books from that bygone era. In the decade I've been an author, I have often mentioned it as one of the books that made me write.

And I had not given any thought to how its 1875 attitudes might impact contemporary young readers.

Frontispiece of my childhood copy. The illustrator of the beautiful pen and ink pictures throughout is not credited.

My acquaintance was right. I had been uncritical in including Tom Sawyer.

The focus of that piece had been the idea that books can transport a reader to other places, other worlds. I may have honestly been listing the books that had done this for me as a child in Manila – but as a children's author, book advocacy is a huge responsibility.

It was uncomfortable to be called out, and I spent hours soul searching and reading, trying to understand what was wrong with mentioning this book that had been beloved to me for so long ... and how I could do better.


As a young reader, I had adored Mark Twain's droll voice; the helpless warmth of characters like Aunt Polly, Tom's foster parent, Tom's irreverence towards church and school (so exciting for a child in a conservative Catholic community); the scary scenes with Injun Joe; the temptations of Huckleberry Finn's outlaw life the boys running away then attending their own funeral; and that final adventure, with Tom and Becky lost in a cave.

I did not question the portrayal of Tom Sawyer's community where black characters were ever present but excluded from the unfolding adventure. Nor did I worry about the negative portrayal of Native Americans. I saw the same on TV and in the movies.

Indeed, the setting was not dissimilar to Manila of the period, where light-skinned mestizos were regarded as superior to darker complexioned morenos. There was also a big social divide. Families of middle class professionals were meant to stay away from the bakya crowd – bakya being the cheap wooden clogs worn by the poor.

Seeing white people look down on brown people on our screens and in our books no doubt contributes to our (Filipino) self-consciousness about flat noses and dark skin (skin whitening is big business in the Philippines) – a self consciousness that borders on self hatred.

[The Philippines was a colony of the United States for 50 years, and  before that, of Spain for 300 – America only granted us independence on the fourth of July in 1946.]

A scene in which Tom and his friends play Indian. I was shocked and fascinated by the nakedness!

So as a child reader of my time, I accepted the N word, the demonising of Native Americans, and the exclusion of black characters, as a given. It was as normal as the fact that I had never met a Filipino character in the books I loved.

That was just what books were like.


I have the actual crumbly, yellowing copy that I had read as a child, part of a collection of children's classics my father bought from a door to door salesman in the 1960s. About ten years ago, I rescued it from my mother's termite-infested book case in Manila, lugging the whole set of classics back to London in my cabin baggage, along with the rest of the collection.

It had been 30 years since I had read a line from the book, but as soon as I began I was transported back to my childhood when I lay sprawled in my bed, with the electric fan turned on high, laughing and wishing I could be Tom Sawyer.

All the things I loved about the book came flooding back  – how Tom Sawyer tricked his mates into whitewashing a fence for him; the bartering of dead cats; his outsider best friend Huckleberry Finn; Tom briskly trading tickets at Sunday School to undeservedly win a bible only to draw the attention of a visitor who asks him the names of the first two disciples (after much blushing and tugging at his buttonhole, Tom finally replies, "DAVID AND GOLIATH!") ...

But reading it now, as an adult who has experienced racism and intolerance, as someone whose world had expanded beyond Manila, I cringe at lines I had read without question as a child, especially the ones in which Injun Joe's vileness is attributed to his race. 'The Injun blood ain't in me for nothing,' Injun Joe says to justify his misdeeds.

Reading it again, there's no denying Twain's antipathy towards Native Americans. Twain's baddy is the conniving, betraying and murderous Injun Joe; Indians are referred to as vicious, devilish, savage; and Tom and his cohorts war whoop, pretend scalp each other then smoke peace pipes. Do read this thorough review by Debbie Reese.

Rereading Tom Sawyer also sparked a long ago memory: of wishing that girls too could have adventures like Tom Sawyer.

Girls didn't get to participate in all the antics and fun enjoyed by Tom and his pals. They were portrayed as pretty creatures, gullible (like Aunt Polly) to Tom's clever manipulations. When Tom is lost with his crush Becky in the caves, Becky is described as "frail" and cries so much that Tom's "encouragements were grown threadbare with use and sounded like sarcasms".

The cave scene. A few coloured plates intersperse the pages, and inexplicably they are credited (to illustrator Edward F. Cortese) though the black and white illustrations have no credit.

[I realised that I too had written a lost-in-a-cave scene in my novel Bone Talk – except my girl character, Luki, is just as feisty as the boy, Samkad –maybe even feistier – and constantly challenging the gendered expectations of her headhunting mountain village. Perhaps I had unconsciously written a homage to that unforgettable sequence from Tom Sawyer.]


In a PBS video, author Grace Lin (Where the Mountain Meets the Moon) says: "Do you have an old children's book you love? One of those classic books you read with your kids because your parents read it with you? Well. There's a good chance it might be racist."

But how does that work? Wasn't Mark Twain simply representing the reality of 1800s? Wasn't that what made the book special in the first place? Does that mean all these classic books should be discarded because their old fashioned prejudices would not pass muster against our contemporary sensibilities?

Here's what Grace says in case you can't watch the video:
Sometimes, good people, people you love, aren't always right.

And that is how I feel about these classic books. I'm not saying we should ban them. I'm saying we should treat them like out-of-touch relatives. We all have that aunt or uncle, or maybe even a parent, who believes in things you don't agree with.

You can still love that relative, and you can still let them be a part of your child's life. But because you know they might say something you don't like, don't you try to keep an extra ear open, in case they say something in front of your child? And then, don't you explain afterwards?

That's what I'm saying about these classic children's books. Read them, share them, even love them, but make sure you talk to your kids about them, too.

I love Tom Sawyer because I can still remember how it took me away from my boring, mundane life in Manila. I love Tom Sawyer because of Mark Twain's crackling storytelling voice. I love Tom Sawyer because it so vividly captures life in Missouri in another century.

I love the realism of Twain's style but I do not love the reality he was representing.

Yes, I believe that Tom Sawyer should be read by young people today – but I agree with Grace Lin, it cannot be read without context because it has the power to do harm.


I recently finished writing a children's biography of the explorer Ferdinand Magellan, who is credited with leading the first expedition to circumnavigate the world. The other thing he did though was participate in Portugal's conquest of the Indian Ocean.

Reading other biographies for children, the conquest is always skimmed over, and presented as a kind of glorious training ground for Magellan's future achievements (one of which was to "discover" the Philippines). But there was nothing glorious about the pillaging and genocide the Europeans committed in 16th century Africa and India.

I couldn't help wondering how an African or an Indian child would feel reading my story ... and found myself writing with extra care for those future readers.

Mark Twain is quoted as saying that he didn't write The Adventures of Tom Sawyer for children. Well, he didn't write it for black and Native American readers either.

I was once asked what literary figure from the past would I most like to have dinner with. Mark Twain was my immediate answer – because he would be a witty and funny dinner guest, I admired his writing, and I admired him (most of all) for being one of the few voices at the turn of the 21st century to speak out when the U.S. invaded the Philippines. Here's what he said:

I have seen that we do not intend to free, but to subjugate the people of the Philippines. We have gone there to conquer, not to redeem ... It should, it seems to me, be our pleasure and duty to make those people free, and let them deal with their own domestic questions in their own way. And so I am an anti-imperialist. I am opposed to having the eagle put its talons on any other land.

And yet I discover now that he while he could expound on the plight of faraway Filipinos, he didn't feel the same about the plight of Native Americans.

"He could denounce imperialism abroad while mostly ignoring it at home," writes Kerry Driscoll in Mark Twain among the Indians and Other Indigenous Peoples.
While Twain's view on blacks . . . [demonstrate] unequivocal growth away from the racism of his origins in the antebellum South, his representations of Indians do not follow a similarly redemptive arc. They are instead vexingly erratic and paradoxical, commingling antipathy and sympathy, fascination and visceral repugnance ...

Knowing this, it's hard to imagine myself trading witticisms with Samuel Clemens across a dining table.

Reflecting on Tom Sawyer today, and how reading hundreds of books in my childhood I accepted that the absence of people like me and the prejudice against African Americans and Native Americans was just "how books are" ... it is inspiring to know that bookish folk are pushing back with hashtags like #WeNeedDiverseBooks, #ReadtheOnePercent, #Representation Matters, and #ReflectingRealities.

Books – beloved or not – have been part of our systemic inequalities for so long, and it feels like change may be coming at last.

But at the same time, isn't it tragic that 144 years after the publication of Tom Sawyer we are still struggling?

Back in 2015, the Guardian invited me to share my favourite Dangerous Book as part of an author round-up. Here's what I said:

When I think back, ALL the books I read as a child were dangerous. They took me out of the ordered rules of my cultural life and proposed that there were other choices out there.

Yes. Books really are powerful. And that is why, in future, I will not mention The Adventures of Tom Sawyer without giving it its proper context.

I am currently the Writer in Residence at Booktrust. Do visit and see my latest post, about some empathy epiphanies I had during my busy, busy March of book tours!

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The Hong Kong Young Readers Literary Festival

I have been through Hong Kong many times but always on the way to somewhere else or stopping quickly for a meeting. I've never really spent any proper time there so I was pleased to accept an invitation to appear in the schools programme of the Hong Kong Young Readers Festival.

Photo: HK Young Readers Festival (Michael Perini)

Here is my Twitter diary of the festival, compiled in a Twitter Moment (if you can't see it below, visit it here)!

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Bone Talk has been shortlisted for the Carnegie 2019

Greetings from the Philippines where I have been launching the Filipino editions of Is It a Mermaid (Sirena ba Yan?) and Bone Talk. It was incredibly busy and hectic ... then this happened:

When I was a little girl, the sight of that gold label on a book sent my heart racing. How incredible to be shortlisted! Thank you so much to librarians UK wide who nominated my book, and the judging panel who shortlisted it ... what an incredible honour!

Here is the Carnegie medal shortlist (alphabetical by author surname):

The Poet X by Elizabeth Acevedo (Electric Monkey)

Rebound by Kwame Alexander, illustrated by Dawud Anyabwile (Andersen Press)

The House with Chicken Legs by Sophie Anderson, illustrated by Elisa Paganelli (Usborne Books)

Bone Talk by Candy Gourlay (David Fickling Books

A Skinful of Shadows by Frances Hardinge (Macmillan Children's Books)

Things A Bright Girl Can Do by Sally Nicholls (Andersen Press)

Long Way Down by Jason Reynolds, illustrated by Chris Priestley (Faber & Faber)

The Land of Neverendings by Kate Saunders (Faber & Faber)

And here is the Kate Greenaway Award shortlist:

The Day War Came illustrated by Rebecca Cobb, written by Nicola Davies (Walker Books)

Ocean Meets Sky illustrated and written by Eric Fan and Terry Fan (Lincoln Children’s Books)

Beyond the Fence illustrated and written by Maria Gulemetova (Child's Play Library)

The Wolf, the Duck and the Mouse illustrated by Jon Klassen, written by Mac Barnett (Walker Books)

Julian is a Mermaid illustrated and written by Jessica Love (Walker Books)

You're Safe With Me illustrated by Poonam Mistry, written by Chitra Soundar (Lantana Publishing)

The Lost Words illustrated by Jackie Morris, written by Robert Macfarlane (Hamish Hamilton)

Suffragette: The Battle for Equality illustrated and written by David Roberts (Two Hoots)

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The Bone Talk Book Tour

By Candy Gourlay

With children from Telford Priory School in Telford. Thanks to the TPS photographer.

Last week, I went on my first-ever book tour to promote Bone Talk. Over the years I have watched with envy as author friends go off on their book tours, so I was thrilled when my publisher David Fickling Books organised one via Authors Aloud, an organisation that facilitates author visits to schools.

The numbers were pretty daunting for a first timer:

1 author
2 presentations a day
3,525 children
22 schools
9 venues
8 towns
5 days
8 trains
9 taxis
6 lifts
5 Premier Inn hotels

Of course I wanted to keep a record so I tweeted a diary-thread everyday. I've embedded it below if you'd like to to check it out later, or click here.

Meeting children from (clockwise from top left) Kent, Hertfordshire, Sussex, Worcester. Thanks to the schools who tweeted these photos.

I performed in a breathtaking variety of schools – grand, ancient, worn, new, private, state, huge, small, diverse, middle class, every class – many rainbows of hope and aspiration. In the signing queues after every presentation, the children were always a little bit excited, a little bit shy, their eyes sliding everywhere, not knowing where to look, delighted with every tiny sign of interest from me. The names I dedicated the books to were a gamut! So many Madisons in Kent, Harrys, many spellings of Natasha, Sophies, a Wojtek, and many others of far away provenances.

Speaking to 500 Year 7s and 8s at Weald of Kent Grammar School in Tonbridge. Photo: Sophie Quinnell

I met four Filipino children only though I am told there were plenty more in the Catholic school I was visiting. I wondered how they felt to hear stories about children like them, to see an author wrapped in the same skin as theirs, and to hear me talk about the Philippines, the faraway home that they have not spent much time in. My heart beat faster when one girl confided that she too was writing novels.

It was a week full of librarians – indeed my first two days were spent in the care of Authors Aloud co-founder and librarian Annie Everall, who put together my itinerary. The librarians were all juggling many balls at once, meeting and greeting (sometimes also feeding) me, sorting out my tech, making sure the bookseller had arrived, inviting neighbouring schools to join the audience, and herding, always, herding. During the pauses, there were many good conversations – about the transformation a child goes through between Year 7 and Year 8, about reading for pleasure,  about library resources or the lack of it, and yes, deliciously, inevitably, about beloved books. Librarians can't help talking about books (and neither can we authors).

A big thank you to my booky hosts: Howard Aukland and Jo Davies (Telford),  Gareth Davies (Wolverhampton), Annabel Jeffery (Worcester), Rebecca Darbyshire (St Albans), Clare Woollard (Ware), Katy Day and Megan Silver (Sittingbourne), Sophie Quinnell (Tonbridge), Simon Homer (Burgess Hill) and Emily Holland (Hove).

Then there were the booksellers. There were booksellers with premises – The Book Nook in Hove, Pengwern Books in Shrewsbury, H&H Spalding Books in Barton under Needwood, Watersones in Worcester, Nickel Books in Sittingbourne ... and then there are booksellers without shopfronts, who supply directly to schools and events, like Elaine Penrose in Ware, Brenda Parkhouse in Herfordshire and Caroline Anderson in Kent.

At the beginning I wondered how effective a book tour was as a marketing tool. What was all this about, really? Was this about numbers – selling books, big audiences, number of schools? Some of the schools regularly invited authors to speak, some had to wait for tours like mine for the opportunity.

I was moved by the enthusiasm and generosity of the teachers and librarians. Over and over again, they thanked me for coming.

But at the end of the day, it seemed to me that I was the person who benefited most from the tour. In coming face to face with the young people I write my books for, I have seen all the things that my books can be, should be  – a way to escape, to seek the truth, a reason to hope, a reason to dream, a bridge to take them over gaps, a door to other worlds.

It is such a huge responsibility. And such a huge blessing.

Thank you, all, for having me.

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A Video for Readers of the Filipino Edition of Bone Talk

By Candy Gourlay

The Pinoy edition of Bone Talk is out in the Philippines, published by Anvil Publishing! My artist-editor-writer friend Joy Watford and I made this video in our native Taglish, for all who are discovering the book back home. If you've already read the book and have a lot of questions, this video might have the answers. If you're a teacher or a parent wondering how talk about the book with your children, you might get a lot of valuable insight from this video.

If there's anything else about the book you're curious about, do leave questions in the comments and I'll try to respond in a future video!

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Goodbye, Facebook. Am I Ready?

By Candy Gourlay

I am leaving Facebook. I have decided. I have said it out loud. I have begun the process.

There's a lot to do before I close shop and so I am still seeing my Facebook feed, and I'm already missing all the buzz, all my friends, knowing what's going on.

And yes, I am hesitating.

Marketing guru Seth Godin, in the first episode of his podcast Akimbo, describes the constant 'pressure to hesitate, to hold back, not to launch ... (because) if you can't have a home run, you probably shouldn't even try.'

Seth cites some examples of people who committed to their dreams, despite unfavourable conditions.
Gutenberg, pioneer of movable type, launched the book when there were no bookstores, and when no one knew how to read, and when reading glasses were required but hadn't been invented yet ... The Grand Opening, Akimbo by Seth Godin 

If I had invented moveable type in an age when nobody knew how to read, would I plunge on?

Seth also cited the example of Carl Benz, who launched a car in a Germany where it was against the law to drive a car, there were no passable roads, and there were no gas stations.

It feels a little bit like that at the moment.

I am abandoning a successful Facebook profile, with almost 3,000 friends, and an author page that gets thousands of hits a day. And I'm scared. How can I replace all that? Especially in a world where everybody wants instant access to people in the public sphere, even children's authors like me.

But even apart from the ethical concerns I outlined in my recent blog post I was beginning to question the value of what I was doing on Facebook.

So much time spent in multiple, micro-performances, for a huge, amorphous audience. And so little time spent doing the things I enjoy – writing, drawing, making ...

By forcing myself to leave Facebook, I hope I can make more time to be of real value to my readers. I can do this in my own space, on my website. I will have more time to create useful content for librarians and teachers who would like to share my book with their students. I will have more time to answer the questions of young people reading my book. And most importantly of all, make real time for real friends in real spaces. (Do stay in touch by subscribing to my updates or following me on Twitter).

But of course it's hard, and of course I'm hesitating. Can I really commit to a Facebook-less life?

Then it occurs to me that I do this everyday. I hesitate before I commit.

I have a chronic skin condition that only improves if I go through a tedious routine of applying moisturisers and ointments and protective bandages everyday. And everyday, I hesitate. Do I really have to? And then I commit. I do it. And at the end of the day, I feel better for it.

Everyday, I need to walk up a steep hill near my home. It's exercise before spending the rest of the day in front of my laptop. But that moment before I put on my coat and walk out my front door is the hardest. Do I really have to? And halfway there, when the hill is at its steepest, and I feel like jumping on a bus, the doubt becomes even more intense. But I do it. And I feel better for it.

Everyday, I have to write. Just enough words to get my novel closer to The End. But it's hard. There are so many other things I would rather do. But everyday I sigh and open my laptop. And then months, sometimes years later, it's done. I've written a novel. And I feel better for it.

I hesitate, then I commit, and I'm always glad I did.

I know I will be glad I left Facebook. I am excited about the change of routine but most of all about the creative challenge of finding other ways to achieve what I have previously been reliant on Facebook to deliver.

Seth says the alternative to a huge platform is to engage with people who want to hear you.

Says Seth:
"You put an idea in the world. Not to everyone in the world, just to people who want to hear it. And then maybe it spreads. And if it spreads it grows. And if it grows you get to do it again ... The goal is to go the people who care. To invite them in and to tell them something they didn't know before ... Not with a grand opening but with a whisper. Here, I made this. That's our work."
Here I am at Adarna Books in Manila. Adarna has just published a Filipino translation of my first picture book, Is It a Mermaid, which in Filipino is SIRENA BA YAN?

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A video to celebrate Bone Talk's shortlisting for the Costa Children's Book Award

By Candy Gourlay

I am so pleased and proud to let you know that Bone Talk has been shortlisted for the Costa Book Award in the Children's Category. My friend, Sarah Towle, and I made this video to celebrate!

Here is the incredible shortlist, from more than a hundred entries.

The shortlist was chosen by broadcaster Rick O'Shea, bookseller Fleur Sinclair and children's book critic Imogen Russell Williams.

The winner will be announced on 7 January 2019. Wish me luck!

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