Last year, I met the young girl pictured below when I visited a school outside Manila in the Philippines.
|Photo: Zarah Gagatiga|
She said she loved writing. She wrote every chance she got. But people around her were always telling her she couldn't write. So, she asked me, did that mean she shouldn't write?
I met a Filipino cleaner here in London. She loved reading so much that she decided she'd like to write crime fiction. She joined a writing group. But she gave that up very quickly. Because whenever she turned up for meetings, the members turned their noses up at her. They made her feel like someone with her background and accent could never write a book.
Many years ago when my children still needed diaper changing, someone asked me what I did for a living. I said I stayed at home with the children but I was working on a children's book in the hope of being published someday. The someone rolled his eyes and said, 'Not another one. Everyone thinks they can write.'
Why do you say YOU CAN'T when it's just as easy to say YOU CAN?
Nobody starts out knowing how to do anything. You've got to work at learning a craft. It takes courage and self belief.
(My friend KM Lockwood recently wrote a beautiful essay about self belief The Unwanted Guest)
If we allow the NOs to win, this world will end up without books.
And not just books but television, news, cinema, the internet, junk mail, magazines, Wikipedia, anything and everything that involves writing.
THE HERO IS YOU
I thought Gaiman's reply was quality. He said when you're starting to write, it's not surprising that you would tend to start with other people's voices - you've been reading other people for years:
But, as quickly as you can, start telling the stories that only you can tell ... there will always be better writers than you, there will always be smarter writers than you … but you are the only you.
|Judy at the NAWE conference|
Last November, my lovely friend Judy Lawson and I got together to deliver a presentation called The Hero Is Me before the National Association of Writers in Education conference.
The Hero is Me is about the need for children to see themselves in the books they read. I talked about the journey I had to take to believe I could become an author. It was also about the work Judy has done in literally putting the children she was teaching into books that they could read.
I've known Judy since our two boys were best friends in kindergarten together. But I only discovered her amazing work recently.
|Judy as a young teacher|
Shared reading offers rich instructional opportunities as teachers share in the workload while students access the text too. Embedded in the middle of the gradual release of responsibility, shared reading has elements of a read-aloud and guided reading, but it’s most valuable for explicit demonstration opportunities with shared text.
|Shared Reading uses big books like this one.|
Over the years, Judy began to create her own big books for Shared Reading with her pupils.
They would take a popular text like say, George's Marvellous Medicine (Roald Dahl), The Very Hungry Caterpillar ( Eric Carle) or the excellent Handa's Surprise (Eileen Browne) and create their own big books - with the children themselves playing the characters.
At one special school, she even managed to involve and engage the children in Shakespeare, creating their own big book of A Midsummer Night's Dreeam! The children loved it.
|This particular version of Handa's Surprise uses pictograms|
When I leaf through Judy's wonderful books, often handwritten with cut and paste photos of the children acting out the roles, I am moved and amazed. They are not just reading, nor are they just writing, they are living it. For once, they get to be the heroes!
|The hero is me. Judy doing shared reading with her big books.|
(Barbara Davenport kindly wrote about our Hero is Me presentation at NAWE on her blog)
THE WRITER IS YOU
Once a month, I climb out of my writing cave and meet up with fellow writers. We read and critique each other's works-in-progress.
Critique, mind you, not criticise. Criticising is about tearing down. Critiquing is about building up.
When my new novel Shine was launched last September, I had a brainwave. Why not invite some young people to experience a critique session? So many author friends were coming to my book launch, I could promise the young writers a roomful of authors to respond to their writing!
|My 300 Word Challeng|
On the day, the event was great fun. We couldn't read all the submissions, so there was a lot of tension in the room as the young writers waited to hear which of them would have their writing would be read out.
|The Shine book launch was at Archway Library so most of the kids were from |
Mount Carmel School, across the road. The writing was luminous.
Photo: Ann Giles
After the authors commented on the work, the writers were invited to reveal their identities if they wanted to (They all did, to thunderous applause because the writing was so fine - isn't that amazing? Being applauded for your writing?) In fact, my roomful of authors was gobsmacked. This was the future of books - and it looked good.
I was so pleased with the 300 Word Challenge I've since tried it at school visits.
|Responding to the work of children at Bishops Stortford School. I love the tension as they wait|
for their works to be read, and the looks on their faces as I talk to them as fellow writers.
Photo: Ian Taylor
PLATFORMS FOR YOUNG WRITERS
The thing about writing is: you WANT to be read. You don't want to write in a vacuum. Having someone read and respond to your work is a treat. Now you know why authors love fan mail.
I've been invited to speak at a conference organised jointly by Lend Me Your Literacy and my publisher Random House on 24 January 2014. You can find out more about it here.
Lend Me Your Literacy is a platform for sharing children's writing created by teachers. What a great idea! The testimonials are glowing.
LMYL reminds me of a US-based platform called Figment (interestingly owned by Random House) - which describes itself as "a community where you can share your writing, connect with other readers, and discover new stories and authors" - but without LMYL's exclusive focus on schools.
While Figment feels more like a platform for any and all writers, it is trying to attract the educational market too, describing itself as a 'natural teaching tool' and offering a way to create a virtual writer's workshop for the classroom. More about Figment in education.
I started out this blog post talking about the forces of NO, all those unbelieving naysayers who plant doubt into the aspiring writer's heart.
But I hope I've also shown that this is also a world full of YES.
Yes, you can write.
Yes, your story matters.
|Me at six, the year I fell|
in love with books and